The sun must have been approximately eight inches from my forehead as I wound my way through a crush of warm bodies – all of them panting and glistening in the fierce Texas heat. Perspiration beaded and trickled down the damp necks of an expectant crowd; condensation beaded and trickled down their cans of Lagunitas.
With the first loud and clear ring of an electric guitar, a roar arose from the crowd, and Paolo Nutini strutted onto stage at Austin City Limits – shirt unbuttoned like a golden god of 70s rock, tight pants that might have been painted onto his lithe frame, and a tousled mane that exemplified the definition of “sex hair.”
And then, the man proceeded to take us to church.
The Scotsman with an Italian name, Nutini started off as a sweet-faced, blue-eyed soul singer and has since evolved into a slinky hipped frontman with a smoldering sex appeal to rival a young Rod Stewart.
Born in Paisley, Scotland to an Italian father and a Scottish mother, Paolo Giovanni Nutini’s destiny was to take over his father’s fish and chip shop and spend his days slinging cod. His grandfather intervened, encouraging the boy to pursue his fortune in music, and at the age of 16 Nutini left school to work assorted odd jobs in the music industry, ranging from sound engineer to roadie. Before his 18th birthday, Nutini had a regular gig in London and was playing support slots for legends like the Rolling Stones and Amy Winehouse.
His career skyrocketed with the release of his debut album a couple of months after his 18th birthday. These Streets is a showcase of up-tempo pop, slow-simmering soul and (barely) post-adolescent heartbreak, tempered with a clearly discernible Scottish brogue.
“He’s a wonderful singer and he has a true feeling about his music…. Time will tell, but I’m as sure about Paolo as I’ve ever been about any artist I’ve ever had,” said Ahmet Ertegun, founder and president of Atlantic Records. Coming from the man who introduced the world to the Drifters and Ray Charles, this is high and effusive praise.
Nutini’s success continued as he broke into the American music scene. His hit single “Last Request” was featured on the sitcom Scrubs and teen drama One Tree Hill, and his sophomore album Sunny Side Up became the first UK number one album of 2010.
His newest release, Caustic Love, was described by The Independent as “maybe the best UK R&B since the 1970s blue-eyed-soul heyday of Rod Stewart and Joe Cocker.” Featuring samples from Gladys Knight and The Pips and Bettye LaVette and filled cocksure swagger, honey-sweet cooing choruses and low-down dirty funk, Caustic Love is anything but abrasive.
Three albums, a fistful of hit singles, thousands of live performances and a legion of fans around the world, Paolo Nutini is a bonafide global superstar. Not bad for a guy that started off as “the kid down the chip shop.”
“I’ve never seen what I’ve been doing as like a conscious homage to anything, really,” Nutini once said. “It’s just what I grew up listening to.” Maybe so, but on those occasions when he has made conscious homages – that is to say, the times he’s covered the work of earlier artists – his takes on their songs are as hot as that blazing Lone Star sun.